Santa Clara Family Pottery Industry
Along with being the most well known Native American
pottery, Santa Clara Pueblo’s black pottery, is considered
by art collectors to be of the highest quality. The native potter begins his or her work with
natural red clays gathered from the pueblos and surrounding hills. The
clay undergoes many preparations before it is hand molded into the finished
product. The artist rolls the clay
into long thin rolls in the ancient fashion of potters the world over before
the advent of the potter’s wheel.
He then builds the jar or pot by layering these rolls one on top of the
other. This hand coiled method is
followed by the smoothing of the coils by the fingers to the jar or pot’s final
configuration. Afterwards, the
artist begins the laborious job of polishing his work by rubbing a smooth “polishing”
stone over it until the red clay shines. then begins to “build” the piece by
layering these rolls one on top of the other. When the artist is satisfied with the appearance of
the work, it is fired in a special oven.
During the firing, the artists smothers the jar or pot with horse
manure. The manure traps the
thick, carbon rich smoke on the surface of the work. The carbon contained in this smoke fuses into the clay,
turning it black, a color that, unlike paints, can never be removed or washed
off. The long and difficult
process can often result in damage to the work, no matter how careful the piece
was handled. Only three out of
five jars or pots fired come out of the oven unharmed. Because of this entire process it is
easy to see why it is the most valuable of Pueblo pottery. Given the rarity of this pottery,
artists often view this special clay as a living thing. A finished work, if it turns out well,
is a gift from the deity Pueblo potters call the Clay Mother. The exhibit from collection below by
famed Santa Clara artist Legoria Tafoya is typical of the best Santa Clara
blackware. The four stylized bear
paws impressed in the sides are an ancient Rio Grande Pueblo design.