THE WRITER'S DEN

Most of the poems I have created have been written in the poetic form known as alternating quatrain (the first line rhymes with the third line and the second line rhymes with the fourth line). The remainder are variations of other poetic forms. Since my poetry covers several categories of emotion, however, I have lumped them together thematically, rather than categorically. As in the case of my prose, they are eclectic, despite the obvious patterns in the following list.

Please select a theme (I through VI).

I - Night Thoughts

Winter and Old Age

Middle Age Frustration

Dreamer

Forbidden Fruit

II - Lyrics of Love

Captive Eyes

Love's Command

Essence

Touch

Instant of Love

Brown Eyes

Heart

Beyond the Wake

III - Marriage and Friendship

A Working Mother

What is Marriage?

Memories of Old Classmates

Quiet Friend

IV - The Dark Side of Love

Remember Me Not

Blithe Spirit

Counterfeit Lover

V - Speculative Verse

The Projectionist

The Clock

Broken Shells, Broken Dreams

The Mater Tree

Legacy of Lies

VI - Religious Verse

Genesis (The Big Bang)

Genesis (The Second Creation)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Poetry is the most artistic form of writing. As it's counterpart prose, however, it relies on life experiences, dream imagery or pure imagination. A novelist or short story writer, who relies on creative imagery, is often a competent poet.

A great poet, such as Emily Dickinson, is able to use his or her life experience but, as the artist or sculpturer, color it with the mental brush of imagination and fashion it with the inspiration of dreams.

The Poem

What is a poem
  but a rush of stark emotion.
Often does it roam
  in realms of pure devotion,

whether strictest quatrain lines
  or freely flowing bursts,
lyrical or philosophical kind
  or the simplest haiku verse.

And what is a rhyme
  but a play of clever thought.
Without a proper theme,
  what value has it taught?

Deep does it often seem,
  so uplifting is its role.
What does poetry mean
  if not to touch our soul?

Yet what is a poem,
  if not a bit of whimsy,
though sometimes filling tomes,
  its substance often flimsy.

Cryptic can it be,
  too subtle for the dull.
Happy, sad, rhymed or free,
  our heartstrings will it pull.

Mirth, a subtle trick
  is welcomed we may find.
Or a crude limerick
  brings laughter to our mind.

Ballads of great deeds
  couplets and haiku
Poems of glory or misdeed
  rhymed and free verse too.

So wondrous a menagerie
  our secret pleasure abides,
flowing rhymed or running free
  as steadfast spirit guides.

Heavy, common, light
  straightforward or obscure
to sing, whisper or recite
  our burdens will it cure.

Oh, what should poetry say?
  Should it inspire or should it preach?
Should the lines like music play
  or sink deeply as to teach?

In lyrics we often hear it—
  messages to the heart
But is it the purpose of the poet
  to romanticize his art?

What is it in a poem that delves
  into uncharted, untried zones,
makes us rise above ourselves,
  though sad, ailing or alone?

What is in its reading
  that makes us yearn for more,
improves our intellectual breeding.
  as a painting or a score.

Poetry, a language of the muses,
  speaks a celestial tongue,
in our heart and mind enthuses,
  in rhyme, free verse and song.

  ~ Gerald Lee Gibson

 

 

 

 

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